Miyazaki father and son work together to make the latest Studio Ghibli film, with Goro Miyazaki directing Hayao’s screenplay and it’s an interesting partnership considering the troubles the two had on Goro’s first feature, Tales From Earthsea.
A teenage schoolgirl, Yumi, works tirelessly to support her family after her sailor father went missing at sea in the Korean War. Her mother is off working in America and she resides in her family house with her grandmother, younger sister and brother, and some boarders. She is the buttress of the family and keeps the house running smoothly. Her determination and love of her father is evident in her morning flag raising ritual – some flag signals he taught her before he left. At school Yumi joins a band of schoolboys in a fight to keep their beloved clubhouse (a beautiful old building very worn down over time and now housing the many clubs – astrology, philosophy, newspaper etc) from the wrecking ball of local government, and here is where she meets Shun, and the romance aspect of the story begins. Continue reading


The term romantic comedy sends such shivers through me (akin to gross-out words like secretion, swab or exercise) it’s easy to dismiss a film based almost entirely on this description – current theatrical competition for ‘romantic’ ‘comedy’ is Hope Springs, an embarrassing waste of very talented people. Luckily for little independent film Your
