Do not go in to Holy Motors asking questions like “who”, “what”, “where”, “when”, “why”, or “how” because to do so is to shoot yourself in the foot – or, in a more film-appropriate analogy, to chew your own fingers off.
Monsieur Oscar (Denis Lavant) is an important businessman. We see him leaving his large home as his wife and host of daughters wave him off and tell him to “work hard”. He passes a fleet of cars and walks down his winding driveway until he gets to a stretch limousine and greets his driver Céline (Edith Scob).* As they get on the road, Céline informs him they have nine appointments that day, and the file for the first is next to him. He makes some phone calls, arranges for guns to be bought for his bodyguards in response to a death threat, and then brings out a long, grey wig and starts brushing it. The next time we see him, he is stepping out of the limousine convincingly dressed as a wizened, hunched old woman.
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